Struggle Identity Womans Rights English Literature Essay free essay sample

In the drama A Doll s House the writer, Henrik Ibsen, relates his subject to the fit clip frame. Ibsen, while composing this drama, approaches adult females s rights as an of import key. Throughout this clip period adult female were much neglected and looked down upon as anything less than merely a homemaker. The drama was written during a important clip of Naturalism, which extremely affected the mundane family. Ibsen recognized in his Hagiographas that in the nineteenth century adult female played a function to be a stay at place female parent, raised the kids, and adverts to her hubby at all times. The character Nora Helmer plays the function as a nineteenth century homemaker in A Doll s House and is interpreted as a victim to adult female s rights. Nora is a hard-pressed homemaker that tries to ever fulfill her hubby, Torvald. In the drama she acts as if she has a superior function, which is really of import to her character. We will write a custom essay sample on Struggle Identity Womans Rights English Literature Essay or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Nora frequently feels oppressed from her letdown from her hubby and besides the use she gets from Torvald. Torvald is a middle-class adult male and has a normal relationship with society. Torvald Helmer upholds these values because it is in his involvement to make so. He knows that his dominant quality, self-interest, will be protected by his attachment to conventional morality. He imposes it on his married woman, Nora, because it satisfies his amour propre and makes her subservient to him. To him the adult male is the superior being, keeping the economic reins and thereby concentrating in his custodies all power and duty in the family, doing the adult female his slave ( Goonetilleke ) . Torvald is an narcissistic bank director with quite a few different occupation responsibilities that he has to keep. He can non look to calculate out the difference between his married woman and his occupation because he treats Nora as if she is another duty he has to take attention of. Torvald is more hypnotized in his visual aspects and he is with his married woman and he should be seting her before anyone else if he purportedly loves her. Torvald is an highly selfish adult male that is more concerned in how he making than his married woman s feelings. Helmer: Before all else you are a married woman and a female parent. Nora: That I no longer believe. I think that before all else I am a human being, merely every bit much as you are or, at least, I will seek to go one. I know that most people agree with you, Torvald, and that they say so in books. But henceforth I ca nt be satisfied with what most people say, and what is in books. I must believe things out for myself and seek to acquire clear about them. I had been populating here these eight old ages with a unusual adult male, and had borne him three kids Oh! I ca nt bear to believe of it I could rupture myself to pieces! I ca nt pass the dark in a unusual adult male s house ( Ibsen, 1608 ) . The constructs of the quotation mark can associate to Nora Helmer s character ; which throughout most of the drama is distressed, presents an unrealistic individuality to herself and throughout the drama she seems to discovery her true individuality. Although Nora and Torvald seem to populate a happy normal matrimony, it comes to an terminal where all of their true feelings come out at one time. Nora starts to recognize that Torvald treats her like a kid in their relationship and she besides begins to come to a decision on how bogus her matrimony truly is. Torvald looks at Nora as if she has merely one function in his life and that is to be a non-backboned loving married woman. When Torvald speaks to Nora he refers to her as my small squirrel hustling about ( Ibsen, 1559 ) , my small Alauda arvensis ( Ibsen, 1560 ) , or sweet small spend-all ( Ibsen, 1561 ) . Nora seems merely as an point to him or a plaything that he can play around with. Torvald speaks down to Nora and calls her by minimising pet-names because he feels that she is non intelligent and does non merit his clip of twenty-four hours. Whenever Nora begins to talk what is on her head or set in her ain sentiment, Torvald all of a sudden degrades her with remarks like ; My small song bird must neer make that once more. A songster must hold a clean beak to peep with ( Ibsen, 1562 ) , and Aha! So my stubborn small adult female has to acquire person to come to her deliverance ( 1565 ) . In that society Torvald has merely a typical hubby ever degrading his married woman. He would non let Nora the right to move the manner she wished nor would he accept the fact that she had a head of her ain excessively. Torvald required Nora to hold upon everything he had to state whether she wanted to or non. Nora is an ever-changing character in the drama A Doll s House. The demands she embodies to be regarded as an independent grownup, to find her ain system of beliefs, to bask a matrimony that is a partnership, and to be able to go forth the domestic domain, including her hubby and kids, in chase of self-development ( Stetz ) is an illustration of how she changes her character from the beginning of the narrative. She goes through many life altering state of affairss and develops her true ego more than anyone else in the drama. Nora was an unauthentic individual throughout most of the drama. Nora became an unauthentic individual because she was ever pampered from a little kid from her dad and now she is acquiring the same thing from her hubby, Torvald. Basically, Nora was been carried through life by her male parent and hubby which is why she is diffident of herself. She believes that Torvald is her graven image or her God because everything he would state to her was amplifying. Nora fits the description of a perfect doll married woman who can afford luxuries because her hubby works for it. She has a really flirty attitude towards others and sometimes puts herself in childlike state of affairss where she catches herself lying to her hubby about small things whether she ate macaroons or non. Nora strolls through her mundane life believing that nil could travel incorrect and that it is perfect. Nora is like most female parents, she would give to make anything for her hubby and kids. She feels that her intent in life is to love her household and to be at that place to take attention of them. Nora frequently felt diffident whether or non that she believed she loved Torvald or that she was happy with their matrimony. She ever had a devoted and passionate bosom toward her hubby and was willing to make the unthinkable for him. Nora was incognizant that her hubby did non reciprocate the same feelings as she did. Torvald Helmer is another illustration of a failed male parent. He has little to make with his kids. When the kids come in, he states that the topographic point is merely fit for a female parent ( Rosefeldt ) he seems to hold no regard for his married woman or kids. Torvald has neer been a large fan of holding a married woman that will dispute him to his ain thoughts or that has a head of her ain. Nora has realized the state of affairs between herself and Torvald had st arted to turn in the incorrect way. In the last confrontation between the two Torvald calls her a airheaded adult female ( Ibsen, 1603 ) and a blind, mindless adult female ( Ibsen, 1603 ) because he feels that she does non merit his clip of twenty-four hours. Nora ever thought that Torvald would esteem her and be grateful for her being his married woman, but that does non go on on spot. When Torvald says, Now you have destroyed all my felicity. You ve ruined my whole hereafter. It s atrocious to believe about! ( Ibsen, 1603 ) he demonstrates how wrapped up in himself he genuinely is. After reading the note from Torvald, Nora begins to see that she neer truly cognize this adult male and now he seems unusual to her, he was person she did non love any longer. Their whole matrimony turned out to be a sham ; they were neer genuinely in love with one another. Nora: No that s precisely it. You do nt understand me, and I ve neer understood you either, until tonight. No, do nt disrupt me. I want you to listen to what I have to state. Torvald, I m settling histories with you. Nora so realizes that her counterfeit was an honorable error and that it was incorrect because it was for an unworthy cause. Finally Nora transforms into her reliable character one time she has made peace with herself. Nora so comes to a decision that they merely manner she would be able to happen herself independently is if she leaves Torvald and her kids behind. Nora s individuality is in the procedure of being built when Torvald calls her diminishing names, but in the terminal it strengthens her even more. A turn in the drama is when Nora stands up for herself to Torvald and says what is on her head and does non hold a attention in the universe in what he has to believe any longer. Towards the terminal of the drama Nora gets ferocious with Torvald and tells him that Because you are perfectly right. I m non fit for the occupation. There s another Ob I have to take on first. I have to seek to educate myself. You re non the adult male to assist me with that. I have to make that for myself. And that is why I m traveling to go forth you now ( Ibsen 1606 ) . Nora tells her hubby in a austere manner, It s no usage prohibiting me anything any longer. I m taking merely what belongs to me. I wo nt take anything from you, now or later ( Ibsen, 1606 ) . Nora will no longer let Torvald to pull strings her in any manner because she will contend back. She must now do a determination and make what is best for her in the long tally. Nora has grown from all of this and has learned to go independent with herself. She is now set free from her manipulating hubby and from now on will neer allow another adult male dainty her without the upmost regard once more In decision, Nora Helmer was a adult female contending to recognize her true individuality from ever being told what to make or being spoon-fed from her hubby. Regardless of whether Nora alterations from a female adult female to a male adult female, or from a adult female to a human being, the inquiry is in either instance how her transmutation should be understood, and how a supposed transmutation is reflected in the text ( Rekdal ) . Her hubby, Torvald Helmer, had ever determined whether or non she had a say, he besides was really forceful towards the manner she would move and look because he wanted her to make what pleased him. Nora ever seemed to allow Torvald acquire off with commanding her every move and dressing her up. She neer had a say in anything that he did and she would hold to stay a quiet, happy, small doll. I ve been your doll-wife, the same manner I was Papa s doll-child. And the kids have been my dolls. I thought it was great merriment when you played wit h me, the manner they thought it was when I played with them. That s what our matrimony has been, Torvald ( Ibsen, 1606 ) . Nora leaves her doll-like life and ventures out on her ain to go the independent strong adult female she ever knew she was. Nora is no longer a plaything doll populating under her maestro s orders.

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Its both innately interesting and knowledgeably endowing being aware of such kind of codes and conventions. From semiotics, we realize that we are in a world that is full of signs and ther e is no other way of understanding things, but through organized codes and signs. The study of semiotics gives us an awareness that these codes and signs are generally transparent but our task is disguised in reading them. As the visual signs in the world are increasing day by day, we have to understand that though some signs appear to be very realistic, they are not realistic. We might perform the semiotic function that is- denaturalizing of signs which is valuable; this might be performed by making the codes more obvious and clear by which the interpretation of signs is done. The ideological functions are served when the realities are defined. The realities that are suppressed and those that are privileged can be revealed by contesting and deconstructing the sign realities. The maintenance and construction of reality is the study of signs. It is like leaving the control of the world that we live in that is full of meaning to others if such studies are declined. (See ref 4) Social Semiotics/Multimodal Semiotics/Multimedia Semiotics: Ranging from movies, music, mass media images, printed texts, voice, digital multimedia and web content in the computer- we include various kinds of media that is physical in our everyday usage of signs and languages for meaning making and communication. These several means of communicating a meaning (often referred as modalities of communication) sometimes overlay and interpret or pass on the meaning from other contemporary media in our culture. We can simultaneously watch the news on the television that interprets an event, listen to music, we can read the multimedia web pages, also watch a genre like sit-com which is a mass-media genre that would require lot of knowledge of codes, write emails, write or talk about a movie. That is we are continuously making meaning, sending and receiving in several types of media, regularly communicating and deducing meaning from one medium to other. This learning points to something which is referred as semiosphere; an existence of our concurrent and inherited semiotic system; the whole world of possible and available meanings in the cultural system. The social semiotics proceeds to semiosis- a meaning making process; necessarily the system of meaning-the inter-relations between signs are taken into consideration as the resources for deployment of meaning making. Some semiotic practices are specifically scrutinized for the building of several types of messages and meanings in several situations and cultural contexts that are of meaningful activity by social semiotics. (See ref 5). Let us consider the advertisements that were released on air by the virgin group of company on the virgin mobiles to study the concept of Semiotics. The virgin company deals with two different types of business one is the mobile network and second one is the media such as broadband and TV channel network. This network provider entered into the market with a lot of value added services such as message offers, low rate international calling, To make the public know about these services the virgin group has made a several advertisements and released on air. The above two images are the logos of the Virgin group Ltd. From the above logos or the symbols we can identify whether the business is mobiles or the broadband. In the above two businesses virgin mobile was introduced in 1999 and virgin media was introduced into the market in 2007. If you observe the font style and the color of the word virgin in both the logos, are same because of the brand image. Even the color used in the virgin mobile logo couldnt be kept away from the virgin media logo ANALYSIS Advertisements are now a days very much important in the real world to make the people aware of any news; these advertisements may be in the form of newspaper ads, TV commercials, radio transmission, internet and leaflets. These advertisements are now become very commercial. Companies who want to release any new product have to make people know about it and this is done by advertising the product in different means. These make profits to the companies and thats why, even the advertisements are very expensive the companies make advertise their products spending lot of money. On the other side the companies are making controversial advertisements to make the product highlight for the better sales. There were many controversial ads released in air by many companies, where these ads are not accepted by the society which are either banned or released by removing the uncensored bits from the ad. But, from past 2 Decades the Indian advertising industry has released many censored advertisements which are unfit for the public acceptance (See ref 6). As advertisement consists of fully semiotic codes and its meanings, analyzing the advertisements in semiotic view of perspective is very easy. Coming to the analyzing part the media I have chosen is a TV commercial advertisement from virgin mobile network. Virgin mobile network is one of the largest cellular network providers in India which is a joint group between the Tata cellular service and virgin group. This network provider has launched in India recently in 2008 provides both postpaid and prepaid sim cards. The above two companies together provides 50 per cent of share in the market (see ref7). During the Indian premier league (IPL) matches, these advertisements were banned due to some comments made in these advert. Some of them are class and some of them are violent. These advertisements are made by the virgin mobile to advert the service that is provided by the network which is the cheapest STD calls provided by the virgin mobiles. To show that they are providing the `cheapest STD rates they have chosen eight people from different states of India where each of them calls to each other for every single minute which s hows the STD calls are cheaper. To make this concept mix up with the IPL (INDIAN PREMIERE LEAGUE) they have chosen eight people as there are eight teams in IPL where each member is a fan of their state team. These eight members rings up each other for every single minute and abuses themselves about the teams which shows that the STD calls are very cheaper. When we observe the name of the provider Virgin Mobiles the meaning of the word Virgin is pure and by this we can analyze that the company has chosen the name to say that the network is very good. There were total 63 ads released during the IPL as there were eight fans for the eight teams in IPL and each one of them criticizes the other seven teams. The following are the images from the ads which were banned during IPL by the virgin mobile. On the first look of these images we can notice that two people are talking to each other in a phone, but when you observe the last image when the sign or the symbol STD @20p/min is displayed than the viewers comes to a conclusion that the people are speaking from different parts of India at a very cheap rate and also can conclude that the network provider is providing the STD calls at very low cost. As we know semiotics is the study of signs where everything that taken as sign. According to the Daniel Chandler semiotics is not only the study of signs but anything that stands for something. The above image is from one of the advert released by virgin mobile during IPL, in the above image the left side fan belongs to the Bangalore team and the right side fan belongs to the Punjab team, this we can know by seeing the titles below the both fans. By considering the Daniel Chandler statement on semiotics and by viewing the above image in his view of perspective we can say that the right side fan belongs to Punjab even though if there is no caption because of the physical appearance of him, as all the people who lives in Punjab wears the turban on their head. In India people never used to say or think about the word virgin as it gives us the primary idea about sex, but when this network entered into market with the name virgin than people mainly youngsters slowly started speaking the word. This network created massive profits and became one of the top network providers in India in a very less period of time as they concentrated mainly on youth rather than old people. To attract the youngsters the virgin group of ltd has released the advertisements on virgin mobiles which is based mainly on love and some of the advertisements are based on the friendship. (See ref8) Then slowly trend has entered into the society that the word virgin was printed on t-shirts which shows that youth was so attracted towards the virgin network. After attracting the youth this network was slowly called as the Dhosth ka network which means friends network as it was very useful for a group of friends who wants to keep in touch for a very long time because it provides the lowest calling rate. This virgin network mainly concentrated on youth rather than the aged people by providing services such as message offers and free calls to a number. The advertisements which were released by the company other than the ads released during IPL were very much attracted by the youth as they was fully involved with the ideas of a student. The color combination used in the logo of virgin media i.e. red and white gives the feel of romantic and cool which attracted the youngsters a lot. The caption that is used for this network is Think hatke which means think different. Now a days caption plays a major role in every single media in this world. Caption is defined as the short name or title which describes the meaning and the ideas of a business or any other media. These captions are now a days became very popular that each and every company who wants to introduce any new product into the market they advert it by different media transmissions with a good caption. INTERNET SOURCE OF THE BANNED ADVERTISEMENT:

Assia Djebars Fantasia :: Essays Papers

Assia Djebars Fantasia Assia Djebar’s Fantasia, is an autobiographical novel of an Algerian woman’s struggle to find her voice in a society that rewards the voiceless. In an area heavily laden with cultural traditions, she confounded these traditions by embracing the French language. Her struggles and development through the French language were very important themes within the novel. But what was Djebar’s link to the French language? Why did she pursue it in the manner that she did? Djebar’s Algerian world was filled with traditions that kept women silent. From the veils over their heads to the lack of encouragement to read or write, women were kept down. Djebar longed for freedom and found it in the French language. Flocking to the language of her enemies, Djebar found expression in its words. â€Å"I cohabit with the French language:† writes Djebar, â€Å"I may quarrel with it, I may have bursts of affection, I may subside into sudden or angry silences – theses are the normal occurrences in the life of any couple.† (213) If we examine this passage we will find what the French language truly meant to Djebar. There had been a relationship kin to marriage between French and her. This relationship starts early in her life with an introduction to French from her father. When Djebar first started to write love letters in French, she began to find the freedom she never knew existed. The language attracted her with its â€Å"endless jewel s.† This attraction was further spurred by the newfound freedoms she found in French schools. Djebar enjoyed the traditions and Quranic teachings imparted to her at the time however, she felt more fulfilled doing taboo things such as wearing shorts or playing sports. Djebar talks about her love affair with a student. In this affair it was not the love of the man that drove her but more importantly and ironically the budding love of the language. I believe it was the language that intrigued her the most not the actual person. In the passage, Djebar made a point to mention the language used to write the letter, but not the name of the person. To me this signifies the language as being the focal point of the event and not the actual person. If we look in the book, Djebar concentrates more deeply on her relationship with the French language over any other relationship that she had.